Classic quickies: 49th Parallel

Combining elements of Hitchcockian suspense, propaganda for the war effort, Canadian travelogue and paean to the virtues of the Canadian people, diversity and democracy, the 1941 49th Parallel is both fun and compelling to watch.

This is one of the earlier collaborations of director Michael Powell and screenwriter Emeric Pressburger -- who won an Oscar for this film. It's framed as an effective piece of propaganda aimed squarely at encouraging U.S support for the Allies. As the survivors of a destroyed Nazi submarine work their way from Hudson Bay toward neutral America, they encounter an extensive catalog of Canadian types. The contrast between the simple, generous, honest, diverse and proud North Americans and the arrogant, elitist Nazis is drawn ever more clearly, even as the noose tightens on the fleeing Germans.

Well written, directed and acted by a strong cast including Laurence Olivier, Trevor Howard and Raymond Massey, this release of 49th Parallel is fresh evidence that Criterion DVDs are reviving important films.

Classic quickies: The Seven Samurai

This is my favorite film, but I'm not very successful in persuading people to watch it. Maybe the idea of spending over three hours reading subtitles for what sounds like a martial arts film is daunting. I'll admit the first time or two I watched it, I was not all that impressed. But it's really important to watch the full-length version, not one of the shorter cuts extant. The film is full of richly developed characters and little vignettes that make it rich.

Although it seems like a war story, and its definitely a men's movie, Akira Kurosawa's theme is social change and progress. There is humor and pathos in plenty for the patient viewer. The two stars, Takeshi Shimura and Toshiro Mifune absolutely light up the screen among many fine supporting performances. Shimura's strength and confidence nicely plays off Mifune's over-the-top scenery chewing, even as the director plays off the tropes of John Ford westerns against those of historic Japanese samurai stories.

Classic quickies: The Wrong Man

Forget for a minutes that this could be the title of about half of Hitchcock's movies. For a fifty year old film, The Wrong Man (1957) still packs a lot of power and resonance. The performances are nearly flawless: Henry Fonda wonderfully understated as a musician wrongly accused of being a robber, and Vera Miles compelling as the wife driven to madness by stress.

The viewer is grabbed by the treatment of suspects before the Miranda decision's obvious impact on criminal investigations. Does this have modern echoes under the USA PATRIOT act? In any event, Hitchcock tells a true story, using fictionalized narrative in an almost documentary way. The result is offbeat, but worthwhile viewing.